Jonny Greenwood and Richard Tognetti discuss Greenwood's composition for the ACO – 'Water' – at London's Southbank Centre (4/10/14) ahead of the work's UK premiere. Greenwood’s beguiling work was greeted with. Anthony Marwood. “Is there nothing Anthony Marwood cannot do? He plays the violin, acts, dances, and can do all at once. He directs the Irish Chamber Orchestra, plays with the Florestan Piano Trio, commissions composers, jointly runs his own festival and has a network of worldwide collaborators. To cap it all, this consummate artist is blessed with boundless energy, intellectual curiosity and creative wizardry” BBC MUSIC MAGAZINE. He’s a magic name in the business” INDEPENDENT, UK. Few musicians serve their metaphorical master as convincingly as British violinist Anthony Marwood. His every endeavour seems to stem from a debt to art, a debt to music. There is nothing that gets in the way of the ultimate goal - the realisation of perfection and honesty in his craft" SUNDAY TRIBUNE, IRELAND. If there were rock- star equivalents in the classical music world, ace British violinist Anthony Marwood would be on the list" THE AGE, AUSTRALIAThomas Ades concerto with Chamber Orchestra of Europe/Ades/EMI, June 2. 2 2L RECORD LABEL - Bartók: Violin Sonatas - Annar Follesø. Sonata for solo violin, Sonata No. 2 for violin and piano, Contrasts for violin, clarinet and piano Annar Follesø (violin) Björn Nyman (clarinet) Christian Ihle. Complete Henle Urtext catalog on one web page. Sheet Music Online is ranked by Henle as a Superior Henle sheet music outlet, offering worldwide sales of the complete Henle Urtext music catalog. JOHANN SEBASTIAN BACH (born 1685 in Eisenach; died 1750 in Leipzig) Sonata in A Major for Violin and Keyboard BWV1015. 1. Dolce 2. Allegro 3. Andante un poco 4. Presto. The Bach family was full of musicians who served. THE COMPLETE COLUMBIA & ELECTROLA SOLO AND CONCERTO RECORDINGS 1928 - 1951 BEETHOVEN Sonatas Op 10/2; Op 27/2; Op 78; Op 90; Op 106; Op 111 BRAHMS Handel Variations; Paganini Variations 3 Rhapsodies; 4 Ballades Op 10†; 6. This is a list of notable events in music that took place in the year 1920. Readbag users suggest that list534.doc is worth reading. The file contains 71 page(s) and is free to view, download or print. Anthony Marwood performs astounding feats.." BOSTON GLOBERoss Harris concerto (world premiere) with New Zealand Symphony Orchestra, May 2. Ross Harris’ new Violin Concerto has a strange effect on the listener, who seems to be almost drawn into its creation. It starts hesitantly, the soloist on his own playing fragmentary ideas: then the clarinet enters and his brief melody invites the other woodwind to join him. In effect, the beautifully textured concerto, hovering tantalisingly between tonality and atonality, is at last under way. The soloist is hardly ever out of the limelight, decorating and rhapsodising on the material. Then the orchestra arrives on a hushed, seamless chord, over which the soloist reflects on its melodic ideas and draws them together. The concerto ends with the orchestra finally bowing out, leaving the soloist to return to the same fragments with which the concerto opened. Questions finally unanswered,” writes Harris in the briefest of programme notes. It is a work that captures perfectly the essence of our time - it is also a work of extraordinary and haunting beauty. The success of the performance owed much to the commitment and understanding British violinist Anthony Marwood brought to it. It was a performance that heightened the emotion of the solo line: there was tenderness, mystery and joy of the dance, as well as thrilling virtuosity. The orchestra under Tecwyn Evans's baton gave enthusiastic support." NEW ZEALAND LISTENER. English violinist Anthony Marwood was electrifying, teasing us with his opening, serpentine solo that fuels the work, fragment by fragment." NEW ZEALAND HERALD. English violinst Anthony Marwood" DOMINION POSTZankel Hall, Carnegie Hall, with Thomas Ades and Steven Isserlis, March 2. When Mr. Marwood and Mr. Isserlis took up that theme, their sound was focused yet spectral and haunting. This refreshingly unvoluptuous take on the piece [Ravel Trio] continued in the incisive, spiky account of the macabre, scherzolike second movement and the almost medieval austerity the players brought to the subdued and inexorably slow Passacaille. While the finale had the requisite whirlwind energy, the crunchy, incisive playing never allowed the music to sound flashy." NEW YORK TIMES".. Janacek had a spoken, improvisatory quality, but also form and coherence" STRINGS MAGAZINE. SCHUMANN CONCERTO WITH AUSTRALIAN CHAMBER ORCHESTRA, SEPTEMBER 2. In Anthony Marwood's hands this concerto [Schumann] sounded decidedly virtuosic. Sustaining a rich, full- bodied tone and clear, focused sound, his accurate rapid- fire passagework and sensitive phrasing were particularly impressive" THE AUSTRALIAN"Marwood's beautifully intelligent musical conception made him an ideal exponent and champion.. SYDNEY MORNING HERALD. Britten concerto with London Philharmonic, conducted by Marin Alsop, 2. Marwood didn't spare the angst. His playing was tough and sinewy, his tackling of the tricky passages in harmonics by no means facile. In the devilish double- stoppings and glissandi of the scherzo, he and Alsop raised the spirit of Schostakovich" THE TIMES. SACD (Super Audio Compact Disc) Index.
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